SUPERCOLOR PALUNAR |
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1. TV version. 2. Widescreen version. 2010
Supercolor Palunar of Lionel Palun and Jérôme Noetinger. Ainsi nommé en référence au Tryphonar de Tournesol dans ”Les bijoux de la Castafiore”, le système de Lionel Palun se présente sous la forme de trois écrans de télévision posés l'un sur l'autre, du plus grand au plus petit, et a été conçu pour étudier les réactions visuelles de ces tubes cathodiques aux divers stimuli sonores qui peuvent leur être envoyés. Lionel est lui-même un ancien chercheur du CNRS, passionné dès son plus jeune âge par la physique et l'informatique, qui a décidé un beau jour que son emploi ne satisfaisait plus ses désirs créatifs. Et ce que la recherche a perdu, 1'art est heureux de pouvoir en bénéficier car la prestation des deux acolytes fait sans doute partie des expériences les plus étonnantes qu'il nous ait été donné de voir. La technique m'en est absolument inconnue mais, d'après ce que j’ai pu glaner comme informations, les signes envoyés depuis les machines sonores de Jérôme sont traduits en langage visuel par les écrans de Lionel, lequel interfère alors sur leur développement, créant divers feedbacks (ou boucles) que le musicien récupère à son tour... Et ainsi de suite ! Il en résulte une forme despectacle télévisuel totalement abstrait dans lequel les couleurs et les trames évoluent puis se mêlent, s'effilochent et se perdent tandis que l'électronique fournit une bande-son tout aussi peu figurative. Hormis le spectacle et la performance, c'est surtout cette poésie du bricolage et l'exploration de nouvelles pistes possibles qui séduit dans ce duo, une humilité d'artisan tout a fait bienvenue dans cet univers contemporain tellement satisfait, parfois, de lui-même. Improjazz 156, June 09, p. 43
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"In my live work, I want to always remember that sound is only a vibration of the air. I try to build some kind of sound environment or sound architecture with different strategies". Born April 1966, in Marseille, Jérôme Noetinger discovered experimental music under the influence of the Déficit Des Années Antérieures in Caen.
Contact : jerome@metamkine.com
http://www.metamkine.com 1987 - present Founding member of Cellule d'Intervention Metamkine with Christophe Auger and Xavier Quérel. Performing with 16mm projectors and improvised music with electroacoustic devices in the grand tradition of ‘cinema elargi’. Since their inception, they have presented their work at many festivals, cinemas, galleries and independent spaces in France, Europe, Canada,US, Japan and Australia. Collaborating also with such groups as Nachtluft, Voicecrack, Kinobits, Loophole Cinema, Tom Cora, La Flibuste ou Le Coube (with Gaëlle Rouard, Etienne Caire, Christophe Cardoen et Lionel Marchetti) 1988 -1989 Duo Appel à Tous with Richard Antez. 1993 – present Duo with Lionel Marchetti. This duo improvises by manipulating different objects with/on various objects ranging from a piano frame to reel to reel Revox, mixing desk, microphones, speakers, cassettes… where they mix acoustic sounds with recordings and retrieved recordings. Collaboration and exchange being part of their continual practice, this duo works regularly with other musicians such as Sophie Agnel, Martine Altenburger, Isabelle Berteletti, Emmanuel Petit, Mathieu Chamagne, Voice Crack, Andrea Neumann, Axel Dörner, Nmperign, le Collectif Ishtar… 1997-1998 Trio Marchetti / Noetinger / Werchowski.(Marchetti & Noetinger on electroacoustic devices, Werchowski on violin) 1997 – present member of MIMEO (Music In Movement Electronic Orchestra)MIMEO is a project of English guitarist Keith Rowe (of the group AMM) bringing together eleven musicians all using electronic devices in their work. MIMEO is : Phil Durrant,Christian Fennesz, Cor Fuhler, Thomas Lehn, Kaffe Matthews, Gert-Jan Prins, Peter Rehberg, Keith Rowe, Marcus Schmickler, Rafael Toral. 1998 – present member of Quintet Avant with Lionel Marchetti, Jean Pallandre, Marc Pichelin, Laurent Sassi. Born by chance one night in May 1998 during the Musique Action à Vandœuvre-Les-Nancy 1998 Les 120 jours a composition of musique concrète with Michel Chion and Lionel Marchetti, created at the festival Musique Action à Vandœuvre-Les-Nancy 2000 participant at the Humannoise Congress at Weisbaden 2001 participant at Festival de L’Eau (a project of Dominique Chevaucher and Camel Zekri) at Bangui in the Central African Republic. Meeting with local musicians and working also with Keith Rowe, Kamel Maad, Yacouba Moumouni, Aly Keita. 2001 participant at the Real Time Music Meeting in Hamburg. 2001_- present Duo with eRikm .Using homemade and hand-made electronic objects and electronic tools re-imagined and reconstructed, touch screens and joysticks... 2003 – present Duo with Fabrice Eglin (guitar) Using a reel to reel Revox A77 with integral speakers, an electric guitar half case, a folk guitar amplified, a walkman, a contact mic and some cables.... 2005 work with La Compagnie La Spirale de Caroline / Olivia Grandville (dance) for the show “Ozland” 2006 - present trio with Michel Doneda (soprano sax) & eRikm (electronics) 2007 – present Qwat Neum Sixx with Daunik Lazro (sax), Sophie Agnel (piano), Michael Nick (violin) Joining together acoustic and electronic sources of sound, which aims to question the instrumental limits and nature of the musical object. 2008 ‘Spool’ first collaboration with Liz Rácz (visual artist) conducted via email, sketches and letters and tape loops sent for installation at Lupa/art Melbourne in June. « Renovation » second collaboration with Liz Rácz in Rives, France, in November. 2008 - 2009 working with Olivia Grandville & Tom Mays for the show ‘My Space’ 2008 – present "…&mics", trio with Will Guthrie (drums) and Jean-Luc Guionnet (alto sax). 2008 –present Supercolor Palunar, duo with Lionel Palun (video artist) 2009 –present Duo with Jean-Philippe Gross (electronics) Discography "Gloire à…" Metamkine MKCD005 Various Artists "Le fixe du risque" on "Musique Action Vol. 2" Vand'œuvre CD 9509 |
Lionel Palun was born in 1972. After a degree in engineering (Physics) and a PhD in nanotechnology, he worked for two years as assistant professor in Grenoble, France. After an encounter with contemporary dance and in particular the work of La Cie Pascoli, he changed direction to primarily explore the connection between the screen image and the performing arts, where conceptually, the medium of an actor is seen as but a part of the whole work, in the same way as dance, the text, the sound or the lighting. Professionally engaged in live shows since 2001, he has worked with the digital image in many different contexts: Collaboration and Improvisation: The heart of the practice involves a series of collaborative duos (often improvised) which explore the possibilities of the relationships between the screen image and other performative/stage arts (Image/Dance, Image/Theatre, Image/Music, Image/Lighting, Video/Cinema…) The flexibility of the collaborative duos allows the combination of the demands of precise research with regular public outcomes. These explorations allow him to work with artists as diverse as Christophe Cardoen, Delphine Dolce, Dominique Lentin, Jérôme Noetinger, Nathalie Perrier, Riojim. This is what brings out the alchemy which informs the practice. Video Performance: Video performance is used for residencies and in-situ creations. This permits both a starting point of writing (Company Yann Lheureux and Muriel Piqué at the CCN de Montpellier) as well as suggesting a unique form (Parcours Chorégraphique in the tradition of la Cie Pascoli ou Lumière obscure avec le Collectif Maki.) Video Creations: Video creations for dance and theatre or collaborative concerts with different directors, choreographers, musicians and collectives (Broadway, Yann Lheureux, Pascal Mengelle, Cédric Marchal, Anne-Marie Pascoli, Muriel Piqué, Christophe Serpinet, Minou Wozniak, amongst others.) These video creations (with written scores or improvised) are occasions for combination with the writings of different artists. Installations in the framework of the Collectif Brou Ha Ha (linked with La Fabrique à Andrézieux-Bouthéon) where between other original concepts of television ultra-locale which today also experiments in other frameworks (Association les Mauvaises Herbes, Mairie de Vif,...) Studios and Educational Workshops: In addition to animation studios for children and adolescents (primary classes in Oullins, Social Centre of St Etienne) he provides digital works for the stage setting and captures screen images for the opera of Lyon, namely for the project Kaléidoscope. Software Creation: In Videre Besides gaining a mastery of the professional tools of digital imagery and of multimedia through university training, which lead to the development of his own tools for the fabrication and diffusion of the image, the software, ‘In Videre’, which is at the same time a tool for reliable video production and an instrument of improvisation for video performance.
Parcours : Maki, Culture Ailleurs, spectacle ombre, danse, musique improvisée et traditionnelle, 2009 |